Recently was sent this question by a reader:
“Hey Kurtis! I’m coming back to Vancouver in September and have decided I would like to pursue my photography a little more. I remember reading you were teaching at Langara. I just wanted to know how you liked the program and what steps you took to becoming a great photographer? -Justin”
Firstly, thanks for the compliment! Yes, I currently work for the Langara Continuing Studies Photography Program (evening and weekend classes). Prior to that I graduated from the Langara Professional Photo-Imaging in 2009 (2 year full time day program). You can see all my posts about those classes here.
So are you SURE you want to be a “Photographer”… you know what that means right…?
All illusions aside, still interested…?
Alright then, read on Macduff!
It’s interesting thinking about how to become a “great Photographer” as admittedly I’m still on that journey but let’s break it down so far;
- Take tons of crappy pictures. My Mom always said when I was
sucking atlearning to draw (read as: still learning) “The first 3,000 don’t count”. Those first ones are going to suck, accept that. This is a great rule, for photography I can shoot 3,000 images at a wedding so lets up the number to 30,000 for all your trigger happy shooters out there. I went to school to shoot this many images but there are a ton of resources out there if you’re more of a learn from a book/internet kind of person.
- Shoot a lot of different subjects. I’ve shot a whole range of genres including architecture, food, portraiture, event coverage, weddings, and sports. It’s all good experience and you can take skills you learned from a recent portrait shoot to your next food shoot for a new perspective. Shooting different subjects also helps you narrow down what you DON’T like to shoot *cough*childrenandpets*cough*.
- Shoot what you love. Once you know what you love to shoot, DO THAT! Need a car shot? Talk to Matt Kwok. I was told there is a photographer in New York that JUST shoots silverware for chrissakes.
- Get feedback on your work (for better or worse). I was told my work sucked more than once BUT it made it better in the long term. You want to feel like an flawless Power Ranger riding a unicorn? Join Flickr. You want to be a professional? Go to something like the CAPIC Portfolio Review to get some great experienced professional eyes on your portfolio
- DO find some one you admire, DON’T compare your work to theirs. There will always be someone better than you in the industry. It’s great to have role models but comparing your beginner work to someone like Chris Buck will leave you crying in the fetal position in your parents basement. Instead compare your work to your OWN past work and get excited by seeing that progression (If it’s not getting better see #4).
- Watch “If I had to start Today” by Zak Arias about how he’d start his business from scratch if he was dropped in a completely new city with no contacts.
- Know your gear (see #1). RTFM, seriously. As you shoot more and more your gear begins to fade into the background as it becomes an extension of you. Photo shoots become more about the moment/client/model, not where-is-that-button-that-does-that-thingy-ma-doo. The better you know your gear the quicker you will get better images and the less likely you’ll miss awesome shots.
- Rent different gear. I made the mistake early on of buying some gear instead of renting. It’s way cheaper to rent some really cool lenses/lighting gear from a place like Flashpoint and see how you like working with it and what it can do for your images.
- Do a practicum. I spent 3 weeks volunteering for Steve Pinter and then another 2 weeks with Bryan Ward (NSFW). Seeing how people operate their businesses is invaluable as well as the skills you develop working on set vs. theory in the classroom.
- Show up early and keep helping people. I wouldn’t be anywhere in the industry if I hadn’t volunteered to show up early and lug gear for Adam Blasberg. From that experience I met and was hired by Adam and Kev, who later recommended me to Anthony Redpath, Christie Graham AND Langara where I met Jeff Bell who got me onto the Ultiphotos team and recommended me to Dave Delnea and Chris Morris… etc etc (this isn’t met to be name drop-ey, just to show how one interaction can lead to so much work/experience). To this day, I’m still responding to emails from classmates and colleagues about quotes and marketing plans, when a job comes their way that they can’t accommodate I’m #1 on their speed dial.
- Watch “F*ck You. Pay Me” by Mike Monteiro about client contracts, payment, and lawyers. It’s like a standup routine with lots of cursing… so… a stand up routine.
- Take a class with Andre Amyot about business. I took his class in 2009 at Image Explorations and it truly opened my eyes to the cost of business.
- Keep learning. The reason I got into photography is because there’s always some new software, gear, technique to learn. Part of why I love my job at Langara is the students push me to answer questions I’d never thought of or bring in gear I hadn’t worked with.
- Stay up to date on the industry. These are a couple great blogs to follow like A Photo Editor and Peta Pixel. Know what’s going on out there so you can adapt to it.
- Ask questions. See some cool image/technique online, email that person responsible. What’s the worst that could possibly happen? No response? Don’t worry, this is not The Notebook, you’ll be fine. The payoff could be that you learn something new and make a new contact and I will take that gamble. Every. Dam. Time.
- Have fun. We get to create images for a living and that’s a sweet gig. If you’re not having fun doing that…
Didn’t want to read all that? FOINE, at least do 6 and 11.
Conclusion, you’ll note that a lot of this was pretty business heavy but that’s because you can’t afford to suck at that. Your images will get better over time you keep making bad business choices you’re basically shooting yourself in the foot over and over again.
At the end of the day know that your life is as a photographer going to look something like this…